Forty-Grand Finals

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Clink, Clink
We’re going to do things a little differently here. In place of a snappy editorial overview of the 2010 Guitar Center Drum Off Grand Finals held January 8th at The Music Box in Hollywood, we are presenting a snappy Q&A with GC’s national drum and percussion buyer, Glenn Noyes. Along with the promo team led by Dustin Hinz and Maria Brown, he helped throw quite a ceremony and celebration for the five national contestants and the L.A. drum community at-large, and we figured kinda like the fatherly uncle of the bride, he deserved to say a few words.

We’ve taken care of the photo album with our feature pictorial. And you can find additional details here.

Hollywood Drum: What is the history of the Drum Off and your involvement with it?

Glenn Noyes: The History of the Guitar Center Drum Off dates back to 1988 when the idea of a local annual competition to find the best drummer started at our Hollywood and South Bay stores. Dave Weiderman and I started hosting these local events which started as a simple in store event with 5-10 players and $500 in prizes. It has grown to what it is today involving over 4,000 drummers across the country each year with over $40K in cash and prizes.

HD: The Grand Finals is a big annual event that keeps getting bigger. Give us an idea of the planning and organization it takes to pull it off.

Glenn: The event is always held in the beginning of January, but initial planning starts weeks after the previous one has concluded and runs the entire year. The hardest part is securing and confirming the artists. For the level of artists we get, they are constantly touring and recording and it is hard to confirm that far in advance. Once we know the lineup of artists, we can then determine the right size theatre or concert hall and get that locked in. These are just two of the many things that have to happen to make this run smooth.

HD: The Drum Off is a learning experience for many young drummers; has launched professional careers; and gathers the drum community. What particularly excites you and drives your passion for it?

Glenn: There are several reasons, but mainly the fact that Guitar Center is able to give this opportunity to every drummer in the country. Because of how big we are (215 stores and counting), we can find that hidden talent in any part of the country and change their lives. So many of our previous winners were looking for that break when they entered our competition and now they play with the biggest bands in the world. Previous winners are now drumming for Prince, Jay-Z, Styx, Mars Volta, and many others.

HD: How do you foresee the Drum Off evolving in both the short and long terms? Three-day festival at old man Yasgur’s farm, perhaps?

Glenn: This is something we will continue to grow each and every year. There are always new undiscovered drummers and we are amazed at the talent level every time we get to the finals. It’s funny, each year we say “How are we going to top what we just did?” But we always find a way. Guitar Center Drum Off is here to stay and will be a huge part of giving back to the drumming community for many years to come.

HD: Open solo. Feel free to communicate whatever you feel inspired to share with the Los Angeles drum community…

Glenn: The one thing we are extremely proud of is the ability to be able to offer this and other amazing events to the drumming community. There have been many drum competitions over the years at local levels, but this is the biggest and best. Guitar Center strives to make this a fun and fair competition so anyone at any age or playing level has the opportunity to get up and play in front of a crowd without feeling pressured or left out. This is not about selling product, it is about playing drums. We need more kids and adults to pick up a pair of sticks and discover the excitement of playing drums. It is vital to the health and future of the drumming community.

Guitar Center also hosts many “Sessions” and clinics throughout the year at stores all around the country. The week after Drum Off, we hosted both Gavin Harrison and Jojo Mayer in back to back Session events in our Hollywood store! Contact your local store for information on the next upcoming event.

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Miracle On Vine Street

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A Pro Drum Shop kind of Christmas.

Home For The Holidays
There were no printed invitations. No fliers. No Facebook post. But for a few casual emails, Professional Drum Shop relied—as it has now for over fifty years—on word-of-mouth to get its message out. In this case, the ritual Christmas party it holds each year for friends of the shop and the collective L.A. drum community—not much distinction there. The larger message comes across as a result of their dedication and commitment to the drummers of this town since the beginning, and only continues to strengthen with time: Pro Drum is home base for L.A. drummers.

By now, it’s a bona fide institution. If the fifty years of memorabilia covering the shop’s walls—a substantial timeline of drumming history—leaves any doubt, the newly released 50th anniversary retrospective is a sure cure. Its part in history, family-owned lineage, original location, and lived-in quirkiness help give Pro Drum a true sense of soul—no small virtue for a retail storefront of any order.

A Christmas Story
I was, for a second year in a row now, sadly unable to make the party held Wednesday, December 15th from noon-5pm. I showed up a couple days later to say hi and pick up a disc of party pics from Stan.

He and I were standing and talking below a vintage black four-piece Ludwig set on elevated display next to Buddy Rich’s marine pearl Slingerlands (the last set of drums he ever played). Stan excitedly explained to me that this black drumset was the very first sold at Pro Drum on opening day June 1st, 1959. They had just welcomed it back from its original owner who purchased it at a steep discount after helping paint the place. Stan even remembered drilling holes some years later in the accompanying old ride cymbal.

Somehow, our attention redirected toward a set of ’80s Modular Ludwigs stacked on the floor. It was a recent arrival and belonged to Jon Hyde, the drummer for a band called Detective, signed to Zeppelin’s Swan Song label in the late ’70s. Stan excused himself to the overflowing office and quickly came out with a smile and an era-defining, sleazy-looking Detective LP in hand given to him by Hyde at the time. Brilliant enough. But, he also brought out another old record from that time that he happened upon: a decidedly obscure Jim Keltner solo project. He remembered Keltner giving copies to him and a visiting Elvin Jones after-hours at the shop over thirty years ago.

That’s some soul.

From Us To You
We’ve compiled Stan and Jerry’s pictures of the day, including those ‘59 black Ludwigs, in our Pro Drum Xmas party pictorial. Enjoy.

Merry and Happy from Hollywood Drum.

Steve Krugman

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